Mostrando entradas con la etiqueta magazine. Mostrar todas las entradas
Mostrando entradas con la etiqueta magazine. Mostrar todas las entradas

viernes, 3 de octubre de 2025

Disegnare Manga: the realized dream of the Mangaka magazine

A long time ago I told the story of the magazine Mangaka, an editorial project by Coniglio Editore that had as many ambitions as a brief existence: in fact, this experiment lasted only two issues. Since we already talked about it in detail, let's summarize: Mangaka was a specialized magazine dedicated to the creation of manga, the Japanese comics, with lessons and tutorials on one hand, and short comics by several artists on the other. Furthermore, it promised the chance to publish works by the readers themselves! Unfortunately, this promise could not be kept, because the magazine never made it past the second issue.

Cover of Disegnare Manga n.1

However, something very interesting happened in 2023: the publishing house Sprea brought to the newsstands a new and still familiar magazine. Disegnare Manga (Drawing Manga) in many ways could be considered a symbolic successor to Mangaka. With its large format, DM has the same purpose of helping newcomers to begin the study and creation of comics in Japanese style, but at the same time it focuses on in-depth analyses and interviews with artists from all over the world. DM started with a bimonthly release in November 2023, followed by the second issue in January 2024, then the magazine misteriously vanishes for a few months, missing the release of five issues. Personally, I was beginning to think this magazine as well, despite its quality, did not meet the expectations of the publishing house and was interrupted. But in November 2024, plot twist: after a "hiatus", Disegnare Manga came back to newsstands with the third issue!

After this pause to improve and refine a few sections, the magazine presents more lessons by international artists, and continues with the documentary part focused on the history of comics in Japan. However, in order to be fair, I will compare the first issue of Mangaka only with the first issue of Disegnare Manga.

Different members of the original Mangaka team can also be found in the editorial team of DM: this is due to the fact that Francesco Coniglio, head of Coniglio Editore in the past, and editorial consultant of the Sprea publishing house, decided to recover this old personal project and try once again. Unfortunately Francesco Coniglio passed away in 2023, without seeing the debut of his beloved project but at least he could witness the first editorial year of the other magazine focused on the world of Japanese animation, Anime Cult.

Davide Castellazzi takes care of directing the magazine's editorial staff and also writes some in-depth analysis articles. He currently writes the section on the history of comics in Japan. This column does not exist in the first issue but it is remarkable as an important feature of the magazine as it is now.

Both magazines have a skeleton of sections and tutorials, but DM expands it, swapping out the spaces designated to comics with more interviews, tutorials and analyses. Here we can see a comparison of the contents of the first two issues:

Mangaka

Disegnare Manga

Mangaka-san (D. Castellazzi-M. Dominici)

Mangaka-san (D. Castellazzi- S.&C. Corradori)

Anatomy tutorial (body)

Anatomy tutorial (head)

Tools (screentones)

Tools (pencil)

Interview (Massimo Dall'Oglio)

2 Interviews (M. Dall’Oglio and Misturu Miura)

Style lesson (chibi)

Style lesson (mecha robot)

Reading reviews

Reading reviews

In-depth artist (Tokidoki)

In-depth artist (Yoshihiro Tatsumi)

8 short original comics

1 short original comic


Tools 2 (graphic tablet)


Analysis of a manga (with Midori Yamane)


Four-colour process tutorial (CYMK)


2 of Narrative Structure ("NAME" and yonkoma)

"The adventures of Mangakasan" (2009)


The Mangaka-san section is an interesting case: a very simple tutorial in the form of a comic, Mangaka-san features the titular artist who speaks to the reader to give artistic advice. Written by Davide Castellazzi, the comic keeps the same script in both magazines, but changes the artstyle. This is probably in order to adapt to modern tastes and attract a wider group of artists. In Mangaka the comic was drawn by Marco Dominici with a similar style to Akira Toriyama's (Dragon Ball, Dr. Slump & Arale) with a very comical and somewhat cartoonish trait. On the other hand, in Disegnare Manga the comic is drawn by Samantha and Consuelo Corradori with a more proportionate yet stylized style, which lends itself to many more genres due to its versatility. Furthermore, the Mangaka version was in monochrome with the use of screentone, while the DM version is digitally colored with shadows and lights included. This second version not only presents the titular character as younger, and because of this it is easier for novice artists to identify themselves with, it is also ideal to include in the background many references to manga and anime appreciated by the artists.

"The adventures of Mangakasan" (2009)
The other original comic is Handed by Daniela Serri and Daniela Orrù, who together use the pseudonym Dany & Dany. This short self-contained story with a sweet and tragic tone is accompanied by a short analysis of the use of panels and of the story without words. In addition, these pages are show in their preliminary version in pencil, highlighting how all the stages of creation of a comic are important and can be studied.

One of the more remarkable sections is "Analysis of a manga" by Midori Yamane, who focuses on a narrative element using a different manga each time. For instance, the comic in the first issue is Domu by Katsuhiro Otomo, exploring the narrative technique of kishotenketsu: the division of the narration in introduction, development, climax and conclusion.

Disegnare Manga, with its structure more oriented towards tutorials and analyses, presents itself as a valid tool for novice artists and also those who already have experience but can still learn more: traditional drawing with markers, digital drawing, narrative structure and composition, this magazine could be considered an ideal "starter pack". The only problem is that, despite considering itself a bimonthly magazine, four months passed since the last issue and we still don't have news about the next one. Maybe in the future the magazine will officially change regularity, releasing every four or six months? Now we only have to wait and enjoy the potential given us by the first four issues, until the release of other news, hopefully soon!

lunes, 19 de julio de 2021

Before online forums and websites in Italy: Japan Magazine

During the boom of popularity of anime in Italy during the 80s-90s the average fan was very interested in discovering more about their favorite series, more aware of the differences between the censored dub and the original version, and as well wanted to meet other fans. However, in that era the forums and websites as we know them today didn’t exist yet. So, what did yesterday’s fans have?

Japan Magazine cover from 1991
(source: Guida al Fumetto Italiano)

In 1991 in the newsstands debuted Japan Magazine, a periodical dedicated to the current anime series. A versatile magazine, that through more than a decade changes many times covers, title and especially size. Japan Magazine’s inconsistent size was probably due to the change of publishers and the fact that technically it was a publication with pirated content, because it wasn’t authorized by the owners of the series, but this last part is speculation that was never officially confirmed. Correct or not, the rumors about the “pirate magazine” amplified its fame: Japan Magazine was the reference point for the newborn Italian otaku culture.

Its contents included articles about series on air and sneak peeks of what was about to come, interviews to the voice actors and comic artists, posters and spaces dedicated to the readers’ content. In fact, the readers could send their drawings and fanfiction to the magazine’s editorial staff! Furthermore, the staff replied to reader’s questions in La posta del Drago (Dragon Mail) and you could propose ads for selling, buying or exchanging in the column Fiera del Bambù (Bamboo Fair), where occasionally the ads were something along the lines of “I’m looking for friends to talk about manga and anime, you can write me at this mail address”. In the last period of its publishing history the Dragon Mail was accompanied by Matilda’s Mail: the first was about questions and daily general themes, the latter was dedicated to questions about the anime world and Japanese culture.

JM cover from 1993 featuring
unexplicably Dylan Dog
(source: Guida al Fumetto Italiano)

This all seems legit, right? Where is the pirated content then? In the early years of Japan Magazine, the periodical used to feature chapters of anime comics, that is a comic version of an episode created using frames from the animated series. Normally anime comics can be quality work, when they are made by a team that understands the visual language of comics. The point is that JM’s anime comics used to take already existing adaptations and modify them, sometimes cutting scenes and simplifying dialogues. We can see an example of this thanks to MikiMoz’s article, that presents us a Sailor Moon anime comic and the differences with the correctly translated version made by Marvel/Panini years prior. His article about the magazine is also quite interesting! During the third publishing phase of JM the anime comics were reduced and when they appeared it was a few pages put together by the editorial staff with frames of lower quality, they personally remind me of VHS recordings.

Page from the Beyblade anime comic
(2005, personal collection)

What’s more, in the early years a few issues had an annex of some VHS of movies or OVA (Original Video Animation) anime, and these were undoubtedly pirated, to the point of open conflict between publisher EDEN and authorized distributors such as Yamato.

This peculiar magazine, that sometimes can be considered similar to a fanzine, had three series through its publishing history:

  • Series I (1991-1992) 10 issues
  • Series II (1992-1995) 28 issues
  • Series III (1998-2005) 66 issues

For this, although it’s not easy to identify the release date of each issue, it’s possible to estimate the year of publishing.

JM cover from the late 90s
(source: Guida al Fumetto Italiano)

During my childhood in the 2000s I used to buy Japan Magazine when I had the chance of finding it at the newsstand. I remember seeing different sizes, one time it was a small book, another time it was as big as printer paper! The number of pages changed as well and occasionally the title, and I used to wonder why it was like that. I own several issues titled JM Japan Magazine, and a few titles JM Cartoons, sized like a little book. Thanks to the archive site guidafumettoitaliano.com I could finally understand the bizarre journey of the magazine and it’s special editions, such as JM Cartoons. One of the articles that particularly impressed me was about drawing tools and it mentioned Pantone markers with many images as well.


JM cover from 2005
(personal collection)

In the end this was JM’s strength: in a time period where the internet didn’t exist or it wasn’t as accessible as it was today, images and information (although sometimes partially incorrect) were a precious treasure! After the golden age between 1995 and the first years of 2000, in the last period of its publishing history the magazine gradually lowered in quality, and concluded its journey in 2005. When I decided to write this article I looked for my issues of the periodical and I found two that are very likely from 2005. I hope to find the issue with the Pantone markers, so I could share the article here!

JM was a peculiar and a bit odd magazine, it wasn’t perfect but it was a product of passion from manga and anime enthusiasts. Thank you Japan Magazine for the happy memories of two generations of fans! <3